Tag Archives: truth

Quiet Street

Once you realize that the road is the goal and that you are always on the road, not to reach a goal, but to enjoy its beauty and its wisdom, life ceases to be a task….

― Nisargadatta Maharaj

Where I come from, like anywhere, there are rules. Some are written, but most are unwritten, passed on member to member, generation to generation, word of mouth, tongue in cheek, morphing as they circulate, like an ontological plague.

Learning the official promise and bylaws at the Organization was easy. At the beginning of meetings, everyone recites the pledge: “I promise by the strength of Christ to be brave, pure and true. I will fulfill my duties at school, home and club; do my part in [the Organization’s] activities, keep all dates and promises and read at least one verse in the Bible daily.”  

It takes a little longer to learn the laws, but anyone who wants to be recognized by leadership, to earn a pin or a neckerchief, to move up into Phosterians or RHLA, strives to live by these, as well:

A member is brave. He/she will not shun duty. He/she realizes that bravery in standing for the right is greater than mere physical strength. Coaxing of friends and jeers of enemies cannot persuade him/her to do wrong.

A member is pure in body, mind, speech and conduct. He/she will not defile his/her body with tobacco, liquor, or other harmful habits. Because he/she keeps his/her mind pure, his/her speech and conduct will also be pure and he/she will choose to go with a clean crowd.

A member is true to himself/herself, to parents, to all leaders, and to God. He/she will not lie, steal, cheat or gamble. He/she will honor his/her parents and be respectful to those in authority. He/she is reverent toward God.

In theory, these were the only rules, but in practice, the parameter of acceptable behaviors was vastly more complex. To thrive in this Organization, you had to learn the boundaries–meaning, the bi-conditional logic of what is and isn’t godly.

The Organization obtained its current property when my mother was a young child, leasing the initial 4 acres of riverbed from a local philanthropic family in 1952, and then acquiring adjoining use rights from the Southern California Water Company and the Los Angeles Flood Control District. My family turned a former garbage dump located at the end of a cul-de-sac, surrounded by suburban homes, into a sanctuary of ballfields, and the bowl of refuse became a worship center to a close-knit homogeneous ideological community that has thrived for decades.

However you approached the entrance to the Organization, an unofficially zoned no-noise buffer emanated approximately a mile in each direction. Upon entering that perimeter, no matter what was taking place prior, everyone would hush, and the participants on the bus would be quiet until we drove down the driveway into the basin of fields. Whatever your age, whether you entered the property by car or bus or bike, the blocks of homes outlining the entrance were all part of Quiet Street. If you wanted to stay in the fold, you made the journey silent as a contemplative monk.

The practice of silence served two purposes, but the second one didn’t occur to me until long after I left.

Ostensibly, we were quiet to respect the residents in the surrounding homes. If they weren’t bothered by our noise, they wouldn’t complain to law enforcement of our presence. We all understood that what we did in that basin was unconventional (and, of course, holy) and only those who fully understood God’s purpose should be privy to it.

I walked, biked and drove through Quiet Street thousands of times from my first memories as a toddler through my teenage years, and each time I did so etched in me an unwitting meditation practice. We left what we called the Outside–a world of commerce, temptation and worldly pleasures–to pass through the silence of those transitional streets, to cross the threshold of the cul-de-sac thoroughfare and burrow down into our spiritual home.

A student asked me today how I learned to drop down into my body, how I learned to be still and practice inner-knowing. I didn’t explain Quiet Street, nor quote how at the end of all our exploring, we will arrive where we started and know the place for the first time. What I did share was a simpler truth: throughout my childhood, the practice of mindfulness was integrated into my daily life. Learning to be silent, learning to be reverent in the midst of chaos, learning to pause and respect the physical space of a spiritual journey, is a practice I am deeply grateful for, and one I continue to honor.

 

Advertisements
Tagged , , , , ,

I Will Not Let Thee Go Except Thou Bless Me

The function of prayer is not to influence God, but rather to change the nature of the one who prays. —Søren Kierkegaard

I left organized religion many years ago, but religion has not left me.

Growing up, I was taught to give thanks in all situations and to pray without ceasing, for this is the will of God through Jesus Christ.

To pray without ceasing is a difficult habit to cultivate and an even harder habit to break.

Anne Lamott says there are three prayers every person should learn: “help,” “thanks,” and “wow.”  And I agree with her that fostering interdependence, gratitude and awe is a humbling and worthwhile practice, whether or not we believe in a literal God.

But prayers are so much more than an expression of intent; prayers are a vibration, like poetry and music, and there are as many vibrations as there are art forms to express our range of human emotions. There are prayers of supplication, prayers for comfort and love, prayers for rescue and mercy and healing, both for ourselves and for others. Some prayers are like breathing, some are like listening, and some raise up your hands like a flamingo, whether or not you emit praise.

But the hardest prayers to give up are the conversational ones, the ones where we simply commune with God, about our day, about the minutiae of our microscopic participation in the world as we know it, where we unwittingly define and share our values, softly appealing to a higher perspective.

Talking to God is not the same as talking to yourself. It’s more like looking for yourself.

Giving up prayer like that is like losing your best friend.

One of the uniting principles of the upper chakras is communication, which is an act of connection. We take patterns of thought and make them specific through the process of naming. And prayer is a type of naming, focusing our consciousness by drawing limits around the context of our prayer, why it is this and it is not that. To pray is to clarify a thought, to set boundaries, to specify what we value by naming what we want or need. Praying gives structure and meaning to our thoughts, rather than random ruminating or otherwise spinning around our own manic mind-talk.

When I left the Organization, I wanted a blessing on my way out. I wanted someone from the family I grew up with to believe good things could happen to me while not wrapped in the confines of that particular subculture. I wanted someone to let me go with a handshake or a hug. Actually, even a nod or a wave would have been welcome. I wanted someone to wish that the road would rise up to meet me.

I spent years wrestling with that one, and it never came.

The sound of grief, like the sound of prayer, has a distinct force and vibration, and this vibration exists through all form of matter, energy and consciousness. In fact, the Hindus believe that vibration, working through various levels of the density of audible sound, is the basic emanation from which matter was created.

Jacob was left alone, and a man wrestled with him till daybreak. When the man saw that he could not overpower him, he touched the socket of Jacob’s hip so that his hip was wrenched as he wrestled with the man. Then the man said, “Let me go, for it is daybreak.” But Jacob replied, ”I will not let thee go except thou bless me.”

When I left for college, and first heard the scientific rationale for atheism, I began to shift my belief system to accommodate these supported truths. Eventually, education would lead me to develop a new understanding of concepts like neighbors and moral responsibility, as well as community and belonging, widening my interpretation of ecumenical and congregation to center around connection rather than separation, and to privilege love over fear and guilt.  

I don’t believe in God, but I do believe in prayer. And when I think of family, I know I would still wrestle an angel for their blessing.

 

Tagged , , , , , , ,

Dark Gifts, Part II

 

suitcase-person-happy-calm-160939.jpeg

“Let me fall if I must fall. The one I become will catch me.”

–The Baal Shem Tov

 

We have been living in the Mess Hall at the camp for months when Christmas rolls around, and I am excited by the snow.  My siblings and I are all struck silent and still by the prospect of being confined, although we don’t know to call it that.  We are huddled at the top of a dirt road, safe in the Mess Hall, relieved that it is impossible to drive down to get to the main road and make the 95 minute trek to Communion. So here we are.

Trapped, but safe.

I feel like the luckiest girl in the world to be in this winter wonderland, away from the possibility that my parents will be summoned to preach or teach. I don’t want anything for Christmas except for to stay here forever, to stop driving down the hill, to never have to drive down the mountain again, for this cocooning never to end.

The Mess Hall is one large room with a concrete slab floor, and we are fortunate that there is a 1947 stone fireplace, where we can dry wet things and hang stockings. We have stockings made of felt, with felt images, pieced together by women who have been called by the Lord to work with their hands.  We are told that coal or oranges are traditional gifts, relegated respectively to children who are either naughty or nice. Now that we’re living as if we belong in another century, we believe this, having almost forgotten there was ever a world before now, that we once lived on a street, with neighbors, in a house with a toilet and a shower.

The night in our bunks is cold, but we are full of hope.   

“The man in the moon is watching us, Mikey.”

My brother looks at me with droopy eyes, like he’s been ordered to nod off, but refuses. I point out the window, toward the glow of the moon, noticing the pine needles strewn across the field of snow like Hansel and Gretel’s bread crumbs, marking the way home.

“Is that God?” he asks, “Is that where God lives? Or Santa Claus?”

“God lives in Heaven,”  I explain, “Santa lives at the north pole.”

“Is the north pole on earth or in heaven?

“The north pole is where the magic happens on earth.  God saves his magic for after we die.”

“Are you going to die?”

I’m only four years older than he is, but I look at Mikey with maternal confidence, like I know what I’m talking about.  “Santa won’t let me die tonight. But if I do, if I die before you, I will ask God to make sure Santa takes extra good care of you.”

“If God can do that, why doesn’t God just take care of us now?”

Our parents rustle in together, en route back from the outhouse.

“Lights out” our father barks, and darkness descends as if from the hand of God.

We wake up to sun reflecting on snow, the pine needles too numerous to follow in any one direction.

Underneath the stockings are four suitcases: yellow for Lori, pink for me, blue for Wendy and brown for Mikey.  We will live out of these suitcases for the next ten years.

My siblings and I spent the rest of our childhoods (every weekend, most summers, and whenever we missed our ride back up the mountain) at whatever home would take us in. I learned to pack lightly, to come and go, to conform to whatever subculture I entered for the time it took to sleep and be fed, and then to leave and try not to come back too soon. I learned to be polite and ingratiating, but not get too attached. I learned what love looked like, how it manifested itself, how intimacy was expressed in so many different ways in so many different homes, but I also grew to understand that love was for the families who lived there and I was always a visitor. I learned to come and go without asking for anything, to avoid being noticed, to take what was given, whether I wanted it or not. I learned to live with disappointment, without attachment, to travel lightly and to exit quickly, before I could see the visible signs of being unwelcome. My escape hatches were pre-planned and well-rehearsed. At one home, I would jump off the garage roof to slip out the back gate onto an adjoining field. Occasionally, I slept out there on the grass.

The first man in my adult life who loved me made quesadillas with avocado in his mother’s kitchen, food he enjoyed and wanted to share with me. No one had ever done that before. The second man who loved me stocked his refrigerator with foods I liked, so when I came over, there was always something for me to eat, without asking. These were more than kind gestures. These were concrete illustrations that they wanted me in their space.

I returned their love largely because I felt claimed.

I’ve begun a meditation truth practice. For one month, I have been committing to sit with whatever truths come up about myself. This practice doesn’t require me to share these truths with anyone. If something feels relevant, I may write it down. But the practice is merely to show up and feel what comes up, without running away. Every day.

Showing up for myself has been far more difficult than manipulating exit strategies. I’ve always been ready to jump off the roof of my own life. Staying on the ground is harder.

Certainly, there are things I’ve been mindful to build, and I am proud of the home, career and relationships I have spent decades cultivating.  But I am the kind of person who would rather walk than wait for a ride. I am more comfortable with physical discomfort than with nurturing, and I would rather sleep outside in the rain than ask anyone to take me in.

As T.S. Eliot reminds us, “We shall not cease from exploration, and the end of all our exploring will be to arrive where we started and know the place for the first time.”

There is always the return.

I still find it difficult to know what foods to choose for myself, to have any idea what I want or need, to see self-nourishment or self-care as activities worthy of my time.

But I’ve come to know what is mine.

Almost a thousand years ago, Hildegard of Bingen, a visionary who worked in seclusion in a monastery rather than accept the limitations of a woman’s traditional life trajectory, reminds us, “We cannot live in a world that is not our own, a world interpreted for us by others. An interpreted world is not a home. Part of the terror is to take back our own listening, to use our own voice, to see our own light.”

You cannot disown what is yours, no matter how many times you walk away. Wounds that heal still leave scars, and sometimes all we have to follow is a trail of blood. I would rather keep moving than sit around waiting to be claimed. Over and over, when things start to settle down, when I begin to feel too comfortable, I look for the exit sign.

But now, when I throw my things in a suitcase, restlessly searching for the next transition, I know how to find my way back home.

Tagged , , ,

Dark Gifts, Part I

It’s very hard to grow, because it’s difficult to let go of the models of ourselves in which we’ve invested so heavily. — Ram Dass

On August 15, 2015, on the bottom floor of a gutted house in downtown Los Angeles, in the middle of what was once a living room, Ron Athey lay stretched out on a table naked, balls bound and swollen, fishhooks pulling back his eyelids and his nipples, the skin of his collarbone, his belly and his thighs, like acupuncture gone wild. A short row of men lined the side of the altar on which he lay, and massaged his quivering thighs and heaving torso. There was a balcony upstairs, where viewers congregated and drank from the open bar, from whence a spotlight shone down, creating a circle of bright light around him, evident from all vantage points in the venue. Even from a fair distance, I could see the beads of sweat above his upper lip, as the men massaged thick wads of cream into his sweaty flesh. One of the men stepped aside, gesturing and encouraging me to walk forward. I made my way up to the platform to stand next to Ron. I put my hand on his chest. I felt it rise and fall as I rubbed gently. He didn’t look at me. His eyes were angled toward the ceiling, but it appeared to me like they were looking at the sky.

I stepped away to let others through, and to look for my friend Denise, an art professor who had worked with Athey as a graduate student at CalArts. She had invited me to this art show tonight because, she said, “you are brave.” I hadn’t known what she meant. Athey has a long history of bold and bloody performances, which she well knew, and I didn’t. I found her buried in the corner, looking small, like a child. She asked me if I touched him. I nodded.

“I can’t” she said, “It makes me nauseous, seeing him like that, doing that. I could never touch him.”

I nodded again. I got it. The room was hot and dense with the smell of beer, blood, sweat and massage oils. Intellectually, I understood this whole thing was raw and intimidating and probably a little dangerous. But I felt comfortable in the space, and oddly at peace with the worshippers, the theatrics, the suffering and the witnessing of it. The laying of hands felt familiar to me, and the noisy backdrop was like a soundtrack of speaking in tongues.

A voice boomed through the speakers and the spectators hushed. Ron rose from the table, as if from the dead, peeling back the hooks and discarding the wires. He garnered a cape and hat and began to walk in a circle, and with each step, his cape blew back gently to reveal his naked, vulnerable body, testicles now unbound and gorged with blood, so they looked impossibly large. The audience carefully stepped back to give him space. The voice from the speakers spoke of Pharaoh and mercy, exculpation and redemption, sin and ablutions, captivity and exodus. I thought of Moses and his band of followers leaving Egypt and walking toward the promised land.

I stood silent, reverent and rapt, as did the viewers around me.

The truth is, most people are horrified by Athey’s art. He has performed prophecy, pain, Christian mythology, transgressive and redemptive sexuality, and the politics of queerness when being HIV-positive (as Athey has been openly since the 1980’s), was a death sentence. Critics find him masochistic, dirty, extreme, and grossly inappropriate. I can’t argue with any of those labels. Yet through his work, I am reminded, yet again, that pain is inevitable, and suffering is a choice. Throughout his performance, I felt like I was more than a voyeur, or even a witness. I was a participant in a holy catharsis, in a space transcendent like a cathedral, communal like church.

For some of us, change and growth, transformation and metamorphosis, require more than words. For some of us, the symbols and integration of those symbols on or into our bodies helps us shift identities, from archetypes we clung to as children, to more fluid ways of seeing and being in the world. Sometimes this takes more than intellectual knowledge or analysis. Sometimes we have to walk through the desert barefoot and feel our way across the sand, without a map, or even the assurance of a destination point.

When I am afraid of cataclysmic change, I often think of the goddess Kali, who is the embodiment of the terrifyingly beautiful cycle of life and death, the pyrrhic clearing of the old to make way for the new. She burns away what no longer serves us and forces us to shed outgrown patterns and strategies and emerge as something new. Kali destroys the safety nets we cling to, so that we can grow into a new container of being.

Ron Athey’s work, like Kali, has stayed with me, walking beside me like a friend.

Athey’s fishhooks and binds are clearly self-imposed. By inviting people to participate in his suffering, to bear witness to the process of transformation, he gives us permission to endure our own pain, without apology or excuse. This isn’t an apocalyptic message. The visceral experience of being present for another’s transformation reminds us that we may have to give up our old, comfortable life to change the way things are. Athey reminds us that healing, like freedom, is a process.

Experiencing pain doesn’t mean we’ve failed. Pain is inevitable. Suffering is a choice. When I think about the ways I willingly push myself–my body, my mind, the boundaries of social acceptance–I am reminded that growth comes with a price. Paying it is a fair exchange.

 

Tagged , , , , , ,

The Throat Chakra

Truth.  The real truth only comes years later, when finally one day your body feels safe enough to feel it. –Tom Spanbauer

The screaming started a year after I had my thyroid removed, and a few weeks before someone I used to love broke into our family home, causing a great deal of damage.

For three weeks, on and off, at what felt like random intervals, the demon would come to me and sit on my chest in the night, dense with the weight of an anvil, and slowly drain the breath from my lungs. Paralyzed, I would watch it compress my chest, pinning me to the bed, syphoning my lifeforce, eliminating my breath in tiny increments, freezing everywhere in my body but my eyes, which continued to blink and dart and roll, furiously fighting against surrender, refusing to accept death at this creature’s gnarled hands.

But eyes aren’t much of a defense against a demon, and I would feel myself begin to fade into the sheets until somewhere in my throat the scream would begin to form and escape my mouth in a barbaric, primal roar that wouldn’t let up until it exhausted me into a little ball of quivering quiet.  

When the screaming began, my family would turn on the lights, and see that nothing was there, so they would shake me, gently, and then more aggressively to wake up, please wake up, while I screamed without words at this thing, at this thing, please, get this thing off of my chest.

At some point I would recognize the person who was actually in the room, but the demon still held me, so that I had no control over the scream, where it started or how it ended. When my senses became alert enough to hear it, it was a sound outside of me, just as the sounds of my family pleading for me to stop were outside of me, instructing me to wake up, trying to convince me I was dreaming.

But it wasn’t a dream. It was an assault.

The voices of my loved ones made familiar sounds outside of me and I could hear them, even as I heard the scream outside of me, alien and intrusive, like an out of sync audio track in a foreign film. The scream was its own entity, and I could hear that sound like the crescendo in an orchestral score, the sound of a woman rising up and fighting for herself.

The throat chakra is the energetic space that pertains to our self-expression, our personal truth, how we define our purpose in life, and our ability to express ourselves to others, with creativity and authenticity. When our fifth chakra energy is blocked, we may find ourselves unable to speak our truth when we need it the most, we may have difficulty expressing our needs and desires, and we may lie to avoid conflict or to keep others from knowing who we are.

Communication is, at base, an act of connection. We may be connecting intellectual ideas, clarifying economic transactions, or sharing intimate feelings, but regardless of tone and content, the action of communicating merges us with our listeners and expands beyond the boundaries of our own minds.

To open our fifth chakra, we practice synthesizing old ideas into something new, something more concrete–through listening, speaking, writing, chanting, telepathy and art forms. When we share these things openly and honestly with others, we deepen our connection not only to them, but to ourselves. When we lie, to ourselves and to others, we create dissonance and distance.

Of course, before we can share our truths, we need to be self-reflective enough to know what they are.

At the time, I didn’t find the the gash across my neck, nor the stitches, nor the healing process, nor the fact that my vocal cords had been stretched apart during surgery, to be of any particular significance. Nor was I able to acknowledge, even afterwards, how the fear of that demon was connected to signs that the past wouldn’t stay in the past. I wasn’t able to connect these dots because I didn’t know myself well enough to know what I was feeling, let alone express it to anyone else or to ask for help in understanding my relationship to these events.

My throat remained constricted, tight, strained and raw during those weeks, even on nights I wasn’t screaming. On the nights I did, I could only whisper my way through work the day after.

I am now committed to a daily spiritual practice of ruthless self-honesty. And when Visuddha, my fifth chakra, is open enough, when I have rigorously practiced communication within my own body and mind, when I have sat long enough with the pain to have built up neural pathways of radical honesty, I will find the courage, strength and will to express these truths to others. And I will be ready to create art.

 

 

Tagged , , , , ,
Advertisements
We Will Begin Again

"To hold a pen is to be at war." -Voltaire

GentlemanSparks

Gentleman with a hint of Spark. If you have any Questions you would like answered email GentlemanSparks@Gmail.com with the subject #ASKGS x

midnightpears

Just another WordPress.com site

The Winter Bites My Bones

The Collected Poems of Dennis McHale: 1981-2016

A Birth Project

Transracial Adoption from one black girl's perspective

The Guilty Preacher Man

abandoned illustrations

projectophile

\ˈprä-JECT-oh-fahyl\ (noun) 1. A lover of projects, especially those derived from scavenged materials and made more beautiful through paint, thread and sandpaper.

Another angry woman

Thoughts and rants from another angry woman

Unkilled Darlings

Faulkner said, kill your darlings. I say, put them on the internet and let strangers read them.

MiscEtcetera v2

Random bits about libraries, digital culture, life, and writing

glass half full

This is my blog. I write a lot about autism, raising boys, and my own alcohol consumption. I also tend to cover topics like poop and toothpaste. You've been warned.

jessepeckwrites

about all things human

Megan Has OCD

About Mental Health, Daily Struggles, and Whatever Else Pops in My Head

The Belle Jar

"Let me live, love and say it well in good sentences." - Sylvia Plath

Daniel Nester

essayist, poet, college prof, hubby, dad, Queen fan

spookyactionsbooks.wordpress.com/

a publisher of quality chapbooks

James Henry Dufresne

"To hold a pen is to be at war." -Voltaire

%d bloggers like this: